The creative white noise generator design inspired by a fan with vanes and blades featuring on the top of surface and side wall vents. It can mimic 128 types of natural white noise of wind blow by a rotating fan blade spinning at 1Hz which powered by brushless DC motor, producing natural sound noiseless for good quality and comfort sleep. Speed adjustable knob at the top also allows you to fine-tune the tone of your white noise. Plus, a 5500K soft breathing LED light enhances better atmosphere of peace and quiet. An extra USB charging port can charge any device at the beside while you sleep. Its compact and stylish design with Scandinavian grey tone color makes it fit any furniture, or a carry-on bag.

At the very beginning of the project, for the office room of the construction company, ours focus is to make the design that match the characteristics of the enterprise industry and convey the culture of the company. We envisage that the entire office space is construction yard, and each functional room as a separate and associated box, which conforms to the traffic relationship by high and low. The entire office space is a urban construction scene in three-dimensional. Private or open, reception and communication, storage, display were defined by the wall or furniture in the plane. The connection areas of all the boxes are interpenetrated, were intertwined with transparent materials, to form an open and inclusive space. The original concrete columns and steel columns without any makeup, become the process and technical method of “construction”, completed part and “uncompleted” part both exist, make the motivation and intention of the designs comprehensive and intriguing, thus there is no need to impose a lot of decorative decorations by the simple plains body and construction points. By different levels of gray of each individual box, each furniture and paintings, it shows the color of Corporate image. The chosen of theme paintings and lamps, was based on the composition language of the Corporate logo, with this method of dismantling and redistribution, will further strengthen the Corporate image, and to form an organic logical clue. The guiding system as the visual expression to the simple space shows the tendency of the day. The chosen of the materials and processing technology of the entire project guarantee the project's finance control and procedure control.

L'Ar? Me Fangfang is a brand with bistronomy as its main line. The latest one is located on the third floor of Suzhou New Landmark, south of Suzhou Center. It is a gathering place for many fashionable young people and a showcase area for the concept of metropolitan avant-garde trend. Nayun design inherited this store design, tailored to create a quite subversive new image of modern. At the entrance, a dark purple curtain blocked the view, combined with the Impressionist theme of the restaurant, giving a mysterious and modern feeling, so that passers-by want to explore. Open the curtain, enter the door is a dark romantic cocktail bar, geometric design, strong lines, gorgeous colors, luxurious material and can be reversed the liquor brand and the top of the colorful breathing lights, make here is full of entertainment atmosphere, but also has a different feature, creating a unique style Bar sentiment. In a sense, the bar culture is actually a cultural Mecca for the urban middle class. Designers want to create an absolute texture and gorgeous atmosphere similar to the Lido ballroom, absorb the essence of L'Atelier de Joel Rubuchon, combine high saturation colors with the idea of art deco, and semi-circular sofa surroundings. With a small round table, the primary and secondary distinct and rich in change, when the light effect of the rotating flow, the whole space as if a huge hanging glazed lantern illusion, flowing brilliant, changing magnificent. Across the bar, around the crowd, and then open a curtain, in a moment, into another broad world. This is the dining area in the back of the restaurant. It's quite different from the dark bar in front. The music is soft, the light is bright, the half-pack sofa seat is comfortable, and the overall layout is like being surrounded by all kinds of delicacies. It has the typical delicacy and elegance of the French restaurant. What's unusual is that the designer presents a visual dining environment in the capsule through minimalist device patterns and exaggerated presentation and futuristic styling. A large number of curves are used with rhythm. The theme tones are mainly white and near-white gray, or occasionally red and brilliant rose dots. Affix, complete the organic combination of abstraction and fantasy, give a new, science fiction, interesting, different from the past rich experience. Overall, L'Ar? Me Fangfang Suzhou Central is a bold and capricious mix, breaking the traditional fine dining rules, redefining high-end catering patterns, seamlessly docking French dinner restaurants and cool cocktail bars in one space, just like ice and fire in the ingredients, in seemingly contradictory opposition and collision. To achieve the overall distillation and integration. The traditional fabric here. Each class name is named after the unique flower blooming in the mountain near the site. As children grow older, the flowers in their classes bloom on the high mountains. The logo is designed with these flowers as patterns. Therefore, children can use many natural materials to understand many local opportunities in daily life. Third, in order to describe the history of this nursery, we have reused some materials from old buildings. Some of the rocks in the cage are local, while others are extracted from concrete waste when the original nursery is removed. After school, the day care center is built next to the nursery. Its floors, walls and ceilings are made of old nursery floors. These materials have a kind of warmth which makes people recall the ancient scenery. More importantly, for children, it will be an opportunity to learn how to take good care of things. In the above three methods, we use various materials at different angles. Every material is natural, not artificial, and children can feel its texture and its stories, such as the environment they live in and the history of their nursery. In these ways, children play their roles at the same time and improve their sensitivity.

This is an art form showing space with water as the theme. The designer tries to integrate the interior, architecture and landscape into a whole and present the state of water in different ways. Presented such as light fluid dynamic water falls, and the real flow of water in the landscape pool as a photograph echo and combine, let people feel in different water present ways to design an art form of display space. Water is the subject of this case. The architectural design conveys the relationship between water and architecture, water and nature with the idea of transparency. The interior is the exhibition area and the negotiation area, and the partition of the space on the wall is formed by using the three-dimensional grille with geometric sense. Next to the negotiation area is the atrium landscape formed by the continuous glass wall surrounding the pool, which becomes an indoor landscape point. Water is the subject of this case, which is designed to convey the relationship between water and architecture, water and nature with the idea of transparency. We attempt to use the form of light to create the effect of a water waterfall and form a sense of the flow of a waterfall; LED lights, wood materials and other exquisite nodes are used to further present the water curtain wall shape of light. The atrium landscape formed by the glass wall surrounding the pool becomes an indoor landscape point. 1. Light water On the facade of the building, we designed a light water curtain wall to echo the theme of "water". The water curtain wall of the light is composed of LED lights. After the running of the lamp, it forms the effect of water curtain. The water curtain wall has two sides, forming a facade of the building externally and a background wall indoors. 2. Origami stone walls In front of the building is a very large landscape pool, as if the whole building floating on the water. A roughly 50-meter walkway cuts through the water to connect the entrance to the sales office, allowing for a slow entry into the interior. Before entering the room, a 16m-high entrance will be passed through a thin stone wall. The space is towering and the side looks like origami. From the outside open space into the compressed entrance channel and then into the open indoor space, formed the contraction of the space rhythm, the whole process full of ritual sense. 3. The road of spiritual precipitation A road was laid to cut open the pool, from the middle of the road to the water, and a viewing platform was set up. Hope to give visitors a heart to feel the design of our entire building We are involved in the architecture, interior design, soft outfit engineering and landscape design, trying to make is indoor, architecture, landscape of the three integrated into integration, form a with water as the theme of the exhibition space of art. The premise of this project is to serve as a sales exhibition area for real estate developers, with a service period of 3-4 years. Finally, the building will be handed over to the government as a public living space for citizens. We want to make a waterfall with nature , and present it with light to express the seamless combination of man and nature. Through the water curtain wall of light, the pursuit of indoor and outdoor experience process is also the pursuit of an integrated feeling of architecture and indoor landscape, and more importantly, a sense of ritual to enter the art museum. Light of water curtain wall is with a luminous effect, at the time of project completion, we set up a viewing platform, in the middle of the pool is a lot of people stop and location of the shoot, also attracted a lot of people attention and eye, and curious about the design process.

This is a nursery project in Yonago, Tottori, Japan. This site is surrounded by the environment rich in nature, sea as well as mountain. However, the environment of the former nursery is unvarying and not sensuous, same as general nursery. Children couldn’t feel nature in spite of living with nature. Hence, we put it on the design concept, “Feel nature, grow sensitivity”. For children to feel nature in daily life, we focused on materials. Each material is meaningful and are chosen for children, which can be seen in the following three approaches. 　First, to make children feel more nature, we use many natural materials. But it’s not only for this reason. The sensible stimulus taken by touching natural materials by hand and feet, stimulate their brain and it will have a good influence on their development. we also aimed to appeal to children’s sensitivity and development. Each wooden floor is different in tree species, shapes, layouting and looking, of course touching by foot. Additionally, in floor signs we use four kinds of metals. Each material has each sense of touching. Hence children can touch and feel many kinds of natural materials, their sensitivity will be grown, and their imagination and brain development as well. 　Second, local materials will give children chances to learn their local. The mud of the wall at the entrance and the rocks in gabion surrounding the building are partly from the local area. The wood used for handrails is called Chizu Cedar which is also from the local. In addition, the class sign is made of Yumihama Gasuri, the traditional fabric here. Each of class name is named for the unique flowers which are bloomed in Mt. Daisen near this site. As children get older, the flowers of their class name are bloomed at the higher point in the mountain. With these flowers as motifs, the class signs are designed. Thus, children can get many chances to know about the local in their daily life with many natural materials. 　Third, to tell the history of this nursery, we reused some materials from old buildings. Rocks in the gabion are some from the local, and the others are from concrete wastes at the demolition of the former nursery. And the after-school day care center is built next to the nursery, whose floor, wall and ceiling are made of floor materials used in the old nursery. These materials have a warmth and make people recall the old scenery. What is more, for children it will be a chance to learn how we take good care of things. 　As referred in above these three approaches, we used many kinds of materials in different points of view. Each material is natural, not artificial and children can feel its texture and its story such as the surroundings where they live and the history of their nursery. In these ways, children will grow their sensitivity just while spending a daily life playing. The name had been picked before we started working. The word “Souva” comes from a popular Greek street food dish named “souvlaki” (pieces of grilled meat and vegetables wrapped in pita). We wanted to keep the logo simple and at the same time to transmit a touch of Greek spirit, so the solution was to make a typographic logotype with a slight Greek character in letter “A”. Also we include a symbol of fire, that could be recognized as an olympic one. Since the overall style had to be bright and dynamic, we created a group of alternative logotype symbols. Concept The idea was to show Greece from a different not typical point of view, because today it is not just ancient statues and blue color. While creating visual identity we basically had to do the same as was done in the kitchen: we wanted to have a contemporary look on Greek style. So the result is a mixture of vintage Greek posters and photos, put together in a collage technique with a handwritten phrases and tags, with a spirit of street-art and underground. Brand identity and interior design All visual components starting from food packaging and ending up with interior design transmit the concept’s rioter style. It is not about fancy food, complicated recipes and expensive finishing materials. It’s a place turned outside in: the street is brought inside the restaurant. For that reason we used simple outside finishing like concrete, metal, rough wood, neon, profiled sheeting and metal mesh; we glued posters and made wall tags.

Client: Fast service restaurant of Greek food in Seoul, South Korea. The restaurant positions itself as a democratic place with a modern look at classic Greek kitchen. Challenge: The task was to develop a logo and brand identity along with interior design. The owner already had a picture of an atmosphere and mood of the future restaurant, so our mission was to understand his idea and to show it through the design. The main rule was to avoid usual and cliche way to show Greek style. The Souva restaurant’s mood had to be expressive and catchy, with a bit rough street spirit. Logo The name had been picked before we started working. The word “Souva” comes from a popular Greek street food dish named “souvlaki” (pieces of grilled meat and vegetables wrapped in pita). We wanted to keep the logo simple and at the same time to transmit a touch of Greek spirit, so the solution was to make a typographic logotype with a slight Greek character in letter “A”. Also we include a symbol of fire, that could be recognized as an olympic one. Since the overall style had to be bright and dynamic, we created a group of alternative logotype symbols. Concept The idea was to show Greece from a different not typical point of view, because today it is not just ancient statues and blue color. While creating visual identity we basically had to do the same as was done in the kitchen: we wanted to have a contemporary look on Greek style. So the result is a mixture of vintage Greek posters and photos, put together in a collage technique with a handwritten phrases and tags, with a spirit of street-art and underground. Brand identity and interior design All visual components starting from food packaging and ending up with interior design transmit the concept’s rioter style. It is not about fancy food, complicated recipes and expensive finishing materials. It’s a place turned outside in: the street is brought inside the restaurant. For that reason we used simple outside finishing like concrete, metal, rough wood, neon, profiled sheeting and metal mesh; we glued posters and made wall tags.

The artwork is being realised through winning City Dress-up Public Art Competition organized by Hong Kong Government Development Development Bureau. It is the winner of the Category Kowloon Bay. When the solar energy turns into electricity, renewable energy can also be integrated into the works of art. In the city, we have become ignorance to our environment, no longer sensitive to fresh things. The artwork is made up of two rocking chairs, one of which gets up and the other party will shake to both sides. Slightly swing backward and forward, interacts with each other. The artwork made by the combination of two rocking chairs, which is equipped with ?exible solar sheet with the power transmission USB port. People could charge their mobile phone when they rest on the chairs. The site is at the entrance to the Electrical and Mechanical Services Department Headquarters. There is a very simple educational trail that specializes in electromechanical engineering and renewable energy. Therefore, this public artwork could become part of the educational trails, to provide an additional meaning.

In my childhood memories, living in the courtyard in southern Fujian, accompanying us through childhood are some interesting gyroscopes, bottles and cans can be seen everywhere, and the carpenter tools left by the older generation, which are some vague memories of my childhood. When we grow up, we often fantasize about a space where we can remember our childhood, where we can work, read, drink tea and chat. Here we create ideas, produce better works, and produce laughter and laughter as well. In the future, perhaps we even yearn for it. There are charming landscapes waiting for us to find out... 2018-JL. D space design office, the new office was born. The walls are very white, and the materials used are very pure (cement, white walls, linen blankets, gyroscopes, old things), but also bear the memories of childhood and longing for the future, we hope that nature can give us more inspiration, from the white nothing, produce have.....

The Sky Residence Old Shanghai The main concept of this project is creating an old Shanghai theme by a contemporary design approach; the design contains many feminine elements to make the whole concept more attractive. This 2-stories apartment with 2 balconies is located at top of the building. For the layout it has divided into 2 main spaces: public and private. The 1st floor is more public with entrance, dining/living area, kitchen, maid’s room and balconies. The 2nd floor considers as a private area with a family room and 3 bedrooms. In both floors, the full-length windows fill most of the areas feeding off the interior with natural lights, ocean view and city skyline. Next to the living room, there is the big balcony that design as a relaxing area with jacuzzi, seating area and a decorative horse facing the outstanding view. The “Horse” element has continued showing at many spaces of the interior. According to Chinese culture, the symbol of the horse has a great deal of meaning and history, it represents power, success, nobility and luck. In the living area, the focal point is the red female painting on the wall, combing a great amount of flowers all over the space to enhance the feminine feeling and to layer the space. In order to achieve the design goal, the design style, color and decorations are mostly related to 1930s Shanghai era. The designer had also set up the newest smart home system to be technology modern within the retro Shanghai theme space.

Architects reinterpret modern architectural aesthetics by means of extremely modern means, real structure and space. This kind of architecture, which originates from the inside and comes from the inside out, with its integrity and authenticity, gives architecture a moral and honest aesthetic feeling. This kind of architecture, based on the changing structural form, will function, space, material, structure and human beings. The blending and dialogues develop step by step so that everything in the building is beautifully displayed in natural light.

This is a LOFT full of city power. There are tall indoor spaces and unexpected innovations and space transformation. Project Description: The design inspiration of this project comes from the bridge pier. The pier builds up the ring line in the city, which represents strength, hard, pure and simple. More time emphasizes the pressure and boring of people's life in the city. It needs a way to produce a kind of lifestyle of the contemporary people. The space arrangement of Kubo Fitness Club is suitable in size, showing a rare sense of order and beauty. It is related to the control of the hue of the advanced grey and piano black. It is related to the material of mixed soil, plastic steel, cement brick and steel net, which is related to the new sports space that the young people want.

Up the stairs, a golden bear on the glass is peeping up on the glass. This is the blue bear created by Lawrence Argent in Denver Convertion Center in the United States. It is interesting to break the monotony of the corridor. The two light guides the entrance of two different regions. The left is the design department, designers raised the floor of the office area, hanging over the lamps and lanterns which can adjust the light color temperature and brightness according to the functional requirements. The following will be used as the storage room and the equipment, not only rich in the room and the equipment. The level of space, and the problem of acceptance. On the right is a completely white space made up of three separate spaces, and the center of vision is a multifunctional wooden box, the enclosure of which is in the form of a rectangular tube grille.