General council - About Us - ASIA PACIFIC DESIGNERS FEDERATION

Wang Honghai (China)

Vice President of the Asia-Pacific Designers Alliance (APDF) Greater China Region, member of jury of IAI Design Award

Born in 1958, Professor and vice president of Beijing Film Academy in Qingdao. Doctoral supervisor. Member of the Fine Arts Teaching Steering Committee of colleges and universities of the Ministry of Education of China, vice president of China Film Art Society, director of Beijing Artists Association watercolor Art Committee, president of Beijing Watercolor Painting Society

Monographs:

Digital Production of Film Visual Effects

Creative Media

Orbits and mass change

Oil painting in ink by Gervey

"Water, Wood and Sky" Beijing Film Academy International New Media Art Triennial

Chinese film art design series tutorial

Interaction -- Yokohama New Coal Art Festival

The plastic arts of screen images

Beijing watercolor for 25 years

Wang Honghai's watercolor collection

Main works:

2014 "Day" and "Moon" were selected into Qingdao Centennial Artist Exhibition.

2009 Documentary "Zen and Martial Arts integrated into Shaolin Kung Fu" won the 2009 Annual "Jury Award" of Japan Film Association.

2008 Served as the chief designer of the giant screen for the opening ceremony of the 29th Olympic Games.

2006 Directed the experimental film Songshan Before Zen. Participated in the Australian International Digital Art Exhibition.

2006 Snow in June was selected into the Exhibition of Chinese watercolor.

2004 Experimental films 360o+1 and The Way of One. To participate in "Visual Group" modern art exhibition in Yokohama, Japan.

2003 Won the "Huabiao Award" for best Documentary. Sky Wind and Sea Waves -- Gulangyu island

2003 The work "Time and Space" was selected for the Asian Watercolor Exhibition.

2002 "Morning" was selected for the Asian Watercolor Exhibition.

1993 The work "Entering the Sea three" was selected into the Chinese youth watercolor exhibition, and won the academic prize.

1992 Held personal watercolor exhibition in The National Art Museum of China, and his works

The second of Bixi and Hope were collected by the National Art Museum of China.

1990 Hold personal art exhibition in Qingdao, Shandong province.

1989 Held his watercolor exhibition in the National Art Museum of China.

1986 Works "Ji" and others selected Chinese watercolor exhibition in Turkey, was collected.

1985 Work "sheng - sheng" was selected into the sixth National Fine Arts Exhibition.

1984 "Memory of Jiangnan" and other works were selected for Chinese watercolor exhibition in the Philippines.

1983 "Valley Hibiscus" won the Beijing Youth art and photography exhibition excellent works.

1983 "Red -- Impression of Qingdao" and other works were selected for Beijing watercolor

exhibition in Hong Kong.

appreciation and analysis of works：

My Yellow River for thirty years

Facing the Chinese civilization in the 21st century global village，Thirty years ago, I went upstream from the mouth of the Yellow River to the source of the Yellow River. It took me two and a half months to investigate the cultural ecology of the Yellow River basin, trace the living conditions of our ancestors, and explore the roots of Chinese civilization. In the past 30 years, I have visited the Culture of the Yellow River basin five times, covering more than 50,000 kilometers.

1、Le -- Fire and soil of loess Culture

The culture of the Yellow River basin occupies a very high position in the development history of Chinese civilization. The Yellow River is the cradle of the Chinese nation, is our Chinese people are proud of the mother river, not only because of the Yellow River itself has this character, loud and defiant, indomitable personality colors, and as a nation of the existence of the Chinese people, generation after generation of sadness and joy, life and death, success and failure, mostly associated with the Yellow River. Only when the wisdom, ideals, dignity and self-sufficiency of the Chinese are rooted in the land where the Chinese have lived for generations can they become a vivid reality. The Yellow River of the world is ninety-nine bend, bend to bend, always did not leave its place to depend on the Chinese earth that pillow is wearing, and these only seem to be truly clear when the value of the Yellow River, just can fulfill the expectation. As a child who grew up drinking water from the Yellow River, it is inevitable that I choose to depict the culture of the Yellow River basin with watercolor in this life.

The formation of culture in the Yellow River basin is the result of the integration of The Chinese nation and other tribes for thousands of years. Some clues can be found in the Yinshan rock paintings, Helan Mountain rock paintings, Qijia culture, Miaodigou culture, Yangshao culture, Majiayao culture, Dawenkou culture and Longshan culture, as well as the statues and murals in Longmen Grottoes, Yungang grottoes, Dunhuang grottoes and Maijishan grottoes. The water of the Yellow River comes from heaven and flows to the sea and never returns. Since formed 1.2 million years ago, the Yellow River, upstream of the people saw it clear, in the middle of the stream have seen the scale, downstream of people seen it wobble, it connect to the spiritual support of the Chinese people, every moment of life and death, it is the Chinese great connection in time and space, by doing a lot of potential, break through, connections to everything, Thus shaping the continuous Chinese civilization of the country.

2、 Water -- Gold and water in loess culture

For five thousand years, the Yellow River basin gave birth to hetu luoshu, produced the twenty-four solar terms, with a complete twenty-four history, as well as Lao-tzu, Confucius, Zhuangzi and the hundred schools of thought as well as Tao, Law, Yin and Yang, the five elements and so on, which influenced the Chinese civilization for five thousand years.

Use watercolor to performance of the Yellow River culture category is very solemn thick national subjects, it doesn't seem to fit, but I believe that I am the son of the Yellow River, will drive of the Yellow River, strong-willed, magnificent, unruly personality, like the Yellow River roaring, collapsed and the agitation surging blood into the ocean of the world civilization in the new century.

Over the past five thousand years, the Chinese nation has created a great deal of spiritual and material wealth with its wisdom, some of which are known to us and some unknown to us. From the known philosophy, science, aesthetics, poetry, calligraphy, painting, architecture and sculpture: Painting works should be broken out of the perfect combination of technology and interest. They should not only have charm, ink, color and culture, but also have abundant, deep and pure thoughts that are free from all kinds of limitations. More important is to mind, personality, have no action, no action, no success.

3、Bixi——Fire and Earth of Totem Culture 1120×800mm,2021